| NuForce Magic Cube |
| The Spintronic Thaumaturge |
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April 2010 |

Okay, I know how this looks, i.e., here we
have yet another “magic-box” type of product
purported to magically improve the sound of
our audio systems when inserted in the
signal path of our “purist” audio systems
(specifically, between the amplifier and the
speakers). While this would seem
counterintuitive and counterproductive to
some, I believe the NuForce Magic Cubes will
find their way into many audiophile systems
simply because they improve the sound.
Each Magic Cube contains a patent-pending
Smith Cell under license from Robert “Bob”
Smith, former head of SP Technology and
current head of Aether Audio. Bob Smith is
the inventor/designer of the Smith Cell and
markets a more expensive version dubbed the
“Black Box,” assembled entirely by hand with
pricey premium quality parts, wiring, and
connectors under the Aether Audio moniker.
This makes the price of the Black Box more
than 3x that of the $498/pair Magic Cubes. I
have not tried the Aether Audio Black Boxes,
so I can only offer my experience with the
NuForce Magic Cubes.
The Smith Cell itself is a passive device
that has its roots in a branch of physics
called Spintronics that deals with the
behavior of quantum particles in conductive
metals. Bob Smith himself tried to explain
the concept to me and also sent me some
written primers on the subject. Take my word
for it, the exact working mechanism of the
Smith Cell is not the easiest concept to
grasp and is probably best thought of as
“magic” for those who are not geniuses or
actual quantum physicists.
Be that as it may, we mere mortals can
certainly reap the very real sonic
improvements imparted by Smith Cells by
merely buying a pair of NuForce Magic Cubes
and installing them between our amplifiers
and speakers.

Optional Filters: NuForce also offers optional
plug-in filters that work in concert with the Magic
Cubes. The filters are supposed to reduce distortion
and ringing by canceling the electrical force that
pushes back from the speaker to the amplifier.
NuForce’s Jason Lim feels that the filters don’t
offer much improvement with NuForce amplifiers, and
in my experience, I didn’t hear much difference
using the filters with my Wyred 4 Sound amplifier.
That said, the filters may work better with other
amplifiers. NuForce offers filters for different
types of solid-state and tube amplifiers that in
some cases (depending on the amplifier’s design)
will alter the character of the sound for the
better. It may be best to consult the folks at
NuForce to ask if the filters would be helpful with
your particular amplifier and speakers. In any case
they are inexpensive to try at under $50 per filter.
Insertion
My system uses the Wyred 4 Sound STI-500 amplifier,
My Audio Cables CuQ speaker cables, and the NSR
Sonata D3 speakers.
My main curiosity in doing this review stemmed from
changes in sonic performance I notice when changing
out the various audio cables in my system. The Magic
Cube is alleged to rectify phase errors resulting
from the electric signal passing through many
dissimilar metals between your amplifier’s output
wiring, connectors, different solders and types of
conductive wire that eventually connect to your
speaker drivers. It is also claimed to reduce noise
(noise that rides in on the AC signal that is not
entirely filtered out before going to the speakers),
improve low-level micro-dynamics, and enhance
spatial relationships in the soundstage.
Before installing the Magic Cubes, I experimented
for days to get the best performance from my system
cabling, trying virtually every possible combination
of different manufacturer’s wires that I had on
hand.
Installing the Magic Cubes is easy as pie, thanks to
NuForce’s use of 5-way binding posts for both inputs
and outputs, and their inclusion of a meter length
of heavy-gauge pure copper speaker cable with banana
plugs on both ends. I had them installed in my
reference system in minutes and was ready to crank
my tunes and evaluate the results.
Let ‘er wail
My first test of the Magic Cubes was listening to
vinyl recordings I had just played without the
arcane cubes. I recall that there was a change in
timbre, especially in the upper midrange and highs.
The highs had more detail and seemed more extended
and the soundstage had more bloom to it. I wasn’t
entirely convinced that I liked this new
presentation better but it was interesting. I
decided to put more break-in time on the Magic Cubes
before making any judgments.
A
couple of days later I bought a new CD (En Concert;
Brushfire B0012973-02) from one of my favorite
singer-songwriters, Jack Johnson. My first selection
was “Belle/Banana Pancakes,” that begins with
applause, ambience, whistles, and general noise from
the frisky French crowd, hinting at a spacious
venue. When the band chimed in and I heard the first
words and guitar cords, I knew I was in for a treat.
The sound of the band when it all kicked in was HUGE
and more dynamic than I thought possible. The
soundstage was wall-to-wall-to-ceiling immense and
there I sat, in the middle of all of it. And so Jack
played on, song after song, and I had never heard my
system sound that good before. I recall e-mailing
one of my friends afterwards and telling him that
either the Magic Cubes were working great or Jack
Johnson’s En Concert CD must qualify as the best
live pop music recording of all time.
For a couple of weeks after that, I played through
my favorite CD’s generally marveling at the
“rightness” of the sound, and the incredible dynamic
contrasts and improved soundstaging.
Then I received a new component for evaluation (my
next review). It was the new ZYX 4D-G moving coil
cartridge that lists for roughly 5 G’s here in the
US of A. Of course I had to immediately shove that
bad boy into my trusty Michell turntable and lower
the ZYX to the spiraling groove below.
When
the first guitar licks snapped out from “My Baby
Gives it Away” on Pete Townshend and Ronnie Lane’s
Rough Mix (MCA-2295), I knew I was in for a
treat. I’d never heard any cartridge sound so
utterly transparent, focused, and smooth before.
Next I played my “Modern Music” album (Harvest
ST-11575) recorded circa 1976 by Be Bop Deluxe and I
had to marvel at how the ZYX kept the vocals,
guitars, and other instruments from all jumbling
together as they sometimes do with lesser phono
playback gear.
And so I played on, record after record, and
witnessed the same wide dynamic envelope and
spacious soundstaging that I had been hearing from
my CD’s. I also noticed that I could clearly hear
almost every word on most of my recordings… even if
I was in the next room on the computer writing
something like this article.
Withdrawal
One day, I began thinking “My system sounded great
before I installed the Magic Cubes—maybe the
improvements are all in my head.”
So I removed the Magic Cubes and hooked my MAC
speaker cables back directly to the speakers and
began to listen. At first I thought that my system
sounded almost the same without the Magic Cubes.
Dynamics were still smashing, transients were sharp
and clear, the bass was articulate and punchy and
the soundstage was reasonably spacious.
But a half a day later, playing through different
recordings the reality began to sink in. My system
had definitely lost some of its magic. Certain
sounds were more biting and grating, guitars had
lost some of their harmonic sweetness, and there was
more interstitial noise clouding the soundstage.
I put on the aforementioned Townshend-Lane Rough Mix
record and thought “this sounds pretty good, but the
soundstage seems a bit flat…” So back in went the
Magic Cubes.
To my amazement, the transparency of the vocals and
instruments snapped back into focus. Both the
guitars and vocals were rendered with lifelike
presence and the soundstage grew deeper. “Oh yeah,”
I said to myself—“now that’s how it’s supposed to
sound!”
Conclusion
For those of you who are still thinking that the
NuForce Magic Cube is just another audiophile
gimmick, my suggestion is “put up or shut up!” Just
try the Magic Cubes in your system and return them
within 30 days for a full refund if you’re not
pelased with them. NuForce’s Jason Lim asserts that
“the suggested method for evaluating the Magic Cube
is to let it play in the system for a week and then
remove it to hear what's missing. The Magic Cube
improves the system in many subtle ways that are
hard to pin point initially."
Lim also offered that the Magic Cubes are most
effective in less expensive systems using average
components and lower cost wiring, and those without
decent AC power filtering. I wouldn’t categorize my
reference system as a typical low-cost audiophile
system, and yet I still felt the pain of withdrawal
when I removed the Magic Cubes. I had to put them
back in the system the very next day and guess what…
The magic returned!
In my opinion the NuForce Magic Cube is a very
worthwhile accessory. Highly recommended!
Manufacturer
Nuforce, Inc.
382 South Abbott Ave
Milpitas, CA 95035
Web:
www.nuforce.com
Email:
salesteam@nuforce.com
Online Store Email:
directsales@nuforce.com
Primary phone: +1-408-890-6840
Secondary phone: +1-408-262-6777
Fax: 1-408-262-6877
Skype Id: nuforce-sales
Description
Magic Cube
Price: $249 each
Optional plug-in filters
Price: $49.95 each
30-day Trial
Warranty: 3 years after trial period

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