Karlheinz
Stockhausen (1928-2007), Plus –
Minus, [hat(now)ART 178, Hat Hut Records].
Recommended especially to those with a taste
for originality of the avant-garde
persuasion. Several important works by this
enormously talented, hugely eccentric
composer are performed and recorded to
perfection. However, as a warning, this is
certainly not for those listeners who become
ill at ease beyond conventionality's pale.
-Mike Silverton
Telebossa,
Telebossa, [Staubgold
Digital 11]. My wife rates this a 10 out of
10, and she's no pushover. I call it a
remarkably successful collaboration between
Brazilian bossa nova and a luscious array of
unexpected support systems, predominant
among them easygoing minimalist pulse
patterns. What emits from one's speakers is
very much a studio laminate. Many of the
effects are remarkably apt. Chico Mello
(guitar and vocals) provides the Brazilian
core. Nicholas Bussmann's (cello,
electronics, etc.) sharply contrasting yet
companionable backgrounds rarely go astray.
I'll be playing this often, for myself of
course, but also for company. Telebossa
likewise serves as a dandy system demo disc.
Also features Hanno Leichtmann, percussion
and Werner Dafeldecker, double bass.
Distributed in the US by Forced Exposure (www.forcedexposure.com).
- Mike Silverton
Terri
England, Tones Of The Tropics,
[Terri England]. This CD showcases Terri's
fondness for Brazilian jazz and Latin
rhythms, and is music you won't soon forget.
Tones Of The Tropics features ten unique
instrumental tunes, that are very
inspirational and whose clarity of tone is
well exhibited. It is well written and
executed, and showcases a unique sound and a
jazzy beat that mellows nicely into a cool
classy rhythm.
England played guitar and keyboards in
various bands whose styles ranged from pop,
rock and jazz, to country and retro 50’s.
She was influenced by many Brazilian and
Latin artists, including vocalist Flora
Purim and Tania Maria. If you enjoy
Brazilian Jazz as I do, Tones Of The Tropics
is the CD to put you into that cool tropical
mood. Thumbs up for her unique musical
style. – Debra Goidel
Kamaleao,
Kamaleao, [ Download].
This band mixes jazz, bossa nova, and many
Latin styles. Beautiful melodic lines and a
relaxing rhythm makes this CD a must-add
addition to your Brazilian collection. The
saxophone and piano playing on track 2 will
take you to that smooth grooving place, so
soak it up and enjoy. This CD is a new
favorite of mine - once you listen to it you
will know why. This is not an all
instrumental CD, it also has some smooth
Portuguese vocals. This CD will set the
right mood for an evening with that special
someone or just for a great time with
friends.
One of the tracks, "Stolen Moments",
showcases the vast talent of the band. Each
performer gets a wonderful solo for us to
hear and to savor their syncopation and
sensational technical showmanship. You’ll
feel that Brazilian vibe throughout this CD.
It offers a window into the history and
traditions of Brazilian Jazz, mixing jazz
with bossa nova, a sensible embodiment of
these Latin styles all in one. If this is
your first voyage to Brazilian Jazz, you
will want to stay. I will be looking out for
more from Kamaleao and I highly recommend it
to anyone who needs an uplift or a stress
reliever. – Debra Goidel
Tania
Maria, Tania Maria & Viva Brazil
Quartet: Live at the Blue Note,
[Concord Picante]. Tania Maria is a
Brazilian artist, singer, composer,
bandleader and piano player who sings mostly
in Portuguese or English. Her
Brazilian-style music is mostly vocals but
includes samba, bossa nova, Afro-Latin, Pop
and Jazz fusion. This recording is of her
appearance at the Blue Note in Manhattan in
2002. Her band, the Viva Brazil Quartet,
with their arrangements of sexy Brazilian
sounds infused with Jazz, was sensational.
If Tania Maria Live at the Blue Note is the
first Tania Maria album you hear, I
guarantee that less than eight bars into it
you'll be wondering what took you so long.
You will also discover that she is a unique,
wonderfully alive, mega-talent who cannot
really be put in any single jazz category.
So break out your shoes and bring on your
best Latin dance moves when you listen to
this CD. You will need them because you will
not be able to keep yourself from dancing
along with Tania Maria's high energy and
ethnic flavor, which will have you on your
feet. – Debra Goidel
Regina Belle,
Love Forever Shines
[Pendulum
Records]. I was driving on a nice sunny day
and I heard a very special gospel tune that
stirred every inner part of my soul. The
woman's voice was silky smooth but powerful,
carrying jazzy yet inviting tones,
delivering an unforgettable message when
called upon. I waited for the name of the
artist and song title. I recognized the
voice but could not quite place who the
artist was. However once announced that it
was Regina Belle, it all fit perfectly. The
title cut, "Love Forever Shines", along with
"I'll Never Leave You Alone" (check out
keyboardist Greg Piper on this particular
cut), and in fact the entire CD, has to be
one of the most inspirational Gospel CD's
recorded in the modern era. Once Regina's
voice takes hold of you it will captivate
your very soul throughout the entire
recording. Whether you are a gospel
enthusiast or not, and if you're alive, I
guarantee Regina Belle's excellent voice
tones, along with her backup singers will
move and touch you; I'm telling you this
excellently recorded CD has it all. - Moreno
Mitchell
Zhao
Jiazhen, Masterpieces of the Chinese
Qin from the Tang Dynasty to Today
[Rhymoi Music RMCD 1026]. Available
at estore.nuforce.com and www.rhymoi.com. In
terms of its soulful, otherworldly voice,
the zither-like qin somewhat resembles the
European lute. Zhao Jiazhen, perhaps the
world's foremost performer, plays an
assortment of largely antique qins, the
earliest of which dates from the seventh
century. Du Cong accompanies in several of
these numbers on three kinds of Chinese
flute. The disc's fourteen tracks center on
traditional tunes, one of which is as old as
the Tang Dynasty instrument on loan for
these sessions from a Chinese museum.
Gorgeously recorded with extensive notes in
Chinese and English. – Mike Silverton
Hiromi,
Voice [Telarc 32819-02]. Voice is the
interesting title of the new release from
Japanese jazz artist Hiromi. The title is
interesting because the music doesn’t
actually contain any vocals, it’s all
instrumental. But in a way that you’ll have
to experience for yourself, this recording
truly does sing. There’s all of the dynamics
and realism that Telarc is known for but
what really blew me away about this disc is
how such a tiny little Japanese girl (she
looks like she’s 16) has such an adept touch
at not just jazz but of R& B and even a hint
at gospel too. Though all tracks are
excellent, tracks four, “Temptation” and
nine, a gospel tinted cover of “Beethoven’s
Piano Sonata No.8, Pathetique” are the most
memorable. – Dave Thomas
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Spring, 2011
Paloma
Faith, Do You Want the Truth or
Something Beautiful [Sony/Epic
88697543552]. Lately I’ve been listening to
some intriguing female artists. One such
artist is Paloma Faith, who crosses the
lines of several musical genres including
soul, pop, and jazz. This gorgeous British
singer/actress first caught my attention
with her YouTube video “Upside Down.” The
26-year-old redhead is just too sexy for
words. She even scored a role in the recent
film The Imaginarium of Doctor Parnassus,
playing Sally, the Devil’s girlfriend,
holding her own with some really big name
actors: the late Heath Ledger, Johnny Depp,
Colin Farrell, Jude Law, and Christopher
Plummer. And the Devil was played by none
other than the strange and very talented Tom
Waits, but I digress. – Frank Alles
Devil
Doll, Queen of Pain [Lucky
Bluebird LB73333-2]. Another artist that
caught my attention is Colleen Duffy and her
band Devil Doll. Duffy is not a new artist
but she is new to me. Again crossing several
musical genres (usually jazz, rock, country,
and soul) Colleen provides some very sultry
and seductive lyrical entertainment. Judging
from her online pics and the pics in her
Queen of Pain CD art, she is one hot lady.
This CD has 18 tracks and the majority of
them are keepers. That said, the last song,
“If I Died In Your Arms,” goes way into the
red between 6:30 and 6:50 into the cut. I
thought my speakers were going to burp up
their midranges, so if you find yourself
there, rouse yourself from your trance and
turn down the volume a few clicks. BTW, the
band Devil Doll is quite tight and has an
excellent bass player. – Frank Alles
Chris
McGovern, Head and Heart [Bandcamp.com].
Finally, I’ve been listening to new artist
Chris McGovern. Chris resides in AZ, as do
I, and I happened upon his album Head and
Heart at bandcamp.com. McGovern’s music lies
mostly in the new age/avant-garde vein and
his style seems a cross between Vangelis and
Andreas Vollenweider with a dash of Devo
thrown into the mix. In particular I enjoyed
his songs, “Successful Outcry,” and “White
Sands.” McGovern does a great job of
layering his instruments via computer and
you’ll find some deep speaker-challenging
bass lurking about here and there.
This is a terrific album to enjoy and relax
to, while simply pondering the infinite. You
can sample tracks from Head and Heart at:
http://chrismcgovern.bandcamp.com. It
can be downloaded in many formats from FLAC
to MP3 (I chose the FLAC). Hard copy CD’s
will be available shortly. Chris also has a
website detailing more information about
himself, his music, and his thoughts at:
http://chris.mcgovernart.net -
Frank Alles
Jamey
Haddad, Mark Sherman, and Lenny White,
Explorations In Space and Time [Chesky].
Lenny White, the drummer whose own band, “Twentynine,”
was one of the hottest funk bands during the
early 80’s, joins Jamey Haddad, one of the
most sought-after world percussionists, and
classically trained percussionist Mark
Sherman for one of the most unique drum and
percussion sessions ever recorded.
Explorations in Space and Time is a must
have for folks who truly want to hear what
their systems can do. Each song is recorded
using both “soundfield” and “binaural”
recording techniques to really fascinating
affect. The music itself is good enough to
get into, but the two recording techniques
makes it a lot more fun. – Dave Thomas
Esperanza Spaulding,
Chamber
Music Society [Heads Up International].
I, like the rest of the world was completely
surprised when this petite and sweet-faced
young lady was named this year’s Grammy
winner for “Best New Artist” over the much
hyped Justin Bieber. So I ran out and bought
her new CD, Chamber Music Society, and to be
honest, I haven’t been this excited by a new
artist since I first heard Andreas
Vollenweider some twenty years ago.
Spaulding is a jazz musician who not only
plays an upright bass that is much bigger
than she is but she combines her deft
playing with a seductive voice that is part
Basia and part Billie Holiday. She looks
like a younger Sade but has a spirit that
dedicated to the pure art form that is jazz.
Her music is so personal that it should only
be heard in a dark, quiet room. Absolutely
recommended. – Dave Thomas
Various
Artists, Disney Jazz Volume 1:
Everybody Wants to Be a Cat [Walt Disney
Records]. Disney, a household name for
millions of families for decades, is
presenting some of their most famous
tunes... with a unique twist. Disney Jazz
Volume 1: Everybody Wants to Be a Cat, is a
compilation of great and memorable songs
interpreted by an all-star list of jazz
performers including: Dave Brubeck, Joshua
Redman, Roy Hargrove and recent Grammy
winner, Esparanza Spaulding.
I loved this CD for a few reasons. First,
the way these jazz greats put their spin on
such familiar tunes as: “Chim Chim Cher-Ee,”
“You’ve Got A Friend In Me,” and “It’s A
Small World,” makes this a disc with lots of
wonderful surprises. Second, I got a kick
out of sitting back and listening to the
music I remember as a child, and singing
along or just tapping my feet. The music is
recorded so well that it really draws you
in. And third, the music, that wonderful,
wonderful, fresh Disney music. Disney
Jazz Volume 1: "Everybody Wants to Be a Cat
will be a great addition to your music
collection. To all that took part in the
creation of this CD, I have to say bravo!
And to all who are reading this, I say buy
it, and find your favorite tune! - Debra
Goidel
Elan
Trotman, Love and Sax [E.T. Muzik
Productions]. I was privileged to have
received this CD before it hit mainstream
radio, and I’ve heard and enjoyed each and
every song. Although he may not be a
household name yet, Elan Trotman's new
project, “Love and Sax,” will give you a
taste of what he is all about. “Love And
Sax,” Trotman's second contemporary jazz
album, was released on March 8, 2011.
Though still a young artist, Trotman
exhibits a maturity way beyond his age. The
first song, which is also the title song, is
an expressive and passionate melody that
sets the tone for the rest of the cuts on
this disc. This is a collection of songs
that shows off his penchant for composing
smooth and melodic music and would make a
perfect soundtrack for a sensual and
romantic evening.
Elan Trotman is a young saxophonist who I
believe will soon be making a major name for
himself. This album is definitely worthy of
your attention. – Debra Goidel
Cannonball
Adderly, Dis Here [Proper
Records]. You get the feeling that
Cannonball Adderley, with his unmistakable
alto sax technique, has been telling a story
through his music throughout his career. He
displays a real hold on ballads, blues and
dynamic bebop tunes and has played with
greats such as Miles Davis, John Coltrane
and Bill Evans, to name a few. What
Cannonball's music does is give you an
experience, a journey through time by way of
his music. Listen to his saxophone telling
you his story through this 4 disc set which
covers his career from the years 1955 thru
1959. You’ll spend hours smiling and
thinking to yourself what a great and pure
talent he was. “Dis Here” was released on
February 21, 2011. It will be worth your
while to look it up and I hope you get the
experience that I did. – Debra Goibel
Hadley
Caliman, Straight Ahead,
[Origin]. Although clocking in at just
slightly under 40 minutes, this is a solid
set of varied tunes, mainly up tempo with a
couple of ballads, by tenor saxophone
veteran Hadley Caliman. Arrangements feature
a nice hook on each tune with excellent
solos by Thomas Marriott on trumpet and Eric
Verlinde on piano. Caliman is in the pocket
throughout the entire CD and although these
names may not be highly recognizable by
many, it's the music that counts and this is
fun listening. Definitely keeps your feet
and toes tappin! – Bill Wells
Marian
McPartland, Twilight World,
[Concord]. Absolutely one of my favorite
go-to recordings by legendary pianist,
Marian McPartland. “Twilight World” features
warm, tender melodies performed with an
engaging musical style and approach. It
includes some nice standards and other
familiar tunes with solid arrangements
highlighting McPartland's easygoing finger
work on the keyboards. This recording is all
about the music. The sound catches you right
from the very beginning and carries you
through to the very end. Very easy to put
this disc on repeat. – Bill Wells
Steve
Turre, Delicious and Delightful,
[HighNote]. Turre's talent alone can carry a
full recording, and with this very engaging
disc, featuring his superb trombone and
shells, it's a winner. Additionally, Turre
enlists the wondrous flavor of various other
talented artists, including Larry Willis on
piano, Billy Harper on tenor sax, Russell
Malone on guitar, and several others to
support the full sound with bass, drums and
other instruments. In typical Turre style,
he comes at you straight from jump street on
the very first tune. “Delicious and
Delightful,” is an excellent mix of styles
and tunes and totally engaging music. Turre
creates a nice level of energy throughout
and the music is accessible and solid all
the way through. Additionally, each
selection has its own signature but never
strays too far away from Turre's main mode
of playing, so just be prepared to be
entertained when listening to this gem. It
is truly delicious and most certainly
delightful. – Bill Wells
Ambrose
Akinmusire, Prelude For Cora,
[Fresh Sounds Records]. A girlfriend of mine
turned me on to this gem. Thank you Aura. I
found the 1st track, “Dreams of the
Manbahsniese,” to be hauntingly surprising
and satisfying! I didn’t expect to hear such
well-seasoned musicians. All it took was for
me to do a little research and I found out
that Ambrose Akinmusire has been a
well-respected sideman for some of the best.
He has also won two major trumpet
competitions (the Carmine Caruso and the
Thelonius Monk) which is no small
achievement.
On “Prelude to Cora,” Akinmusire has gotten
together with some familiar counterparts:
Aaron Parks, Walter Smith III, Joe Sanders,
Justin Brown and Chris Dingman. I fell in
love with the beautiful, “Humsong” (Skidrow
Anthem). This is truly a stunning piece with
such great interplay between these musicians
that I found myself spellbound. “Ruby” was
another track from the CD that peeked my
interest as well. This is one of those CDs
that is just easy, breezy and thought
provoking. You won’t be disappointed. –
Carlos Sanchez
Jenelle
Monàe, The Archandroid -
Suites II & III, [Atlantic]. I just love
it when you’re unable to categorize an
artist such as Jenelle Monàe who hails from
Kansas City, Missouri. I’ve seen this young
lady on numerous TV specials performing
up-tempo goodies for what I thought was her
generation. I went onto Amazon and gave this
CD a listen and boy was I surprised to find
two of the most inventive songs which just
left me gasping. Jenelle Monàe has won me
over with her command of her vocal
instrument, especially on track 17, “Say
You’ll Go,” and track 18, “BaBopByeYa”.
The production of “BaBopByeYa” is top notch
and reminiscent of an old movie soundtrack
with a twist of Jazz, Tango, Bebop and Rap.
It’s melodramatic at its roots and never
boring. “Say You’ll Go,” is smooth and
intimate. You’ll want to tell anyone who’s
talking while this is playing to be quiet
until the song is over. It’s so delicately
done with sixties infusions of pop and jazz
that leaves you not wanting to miss a note.
I know, I really sound like I loved this
one… because I did. I believe that you’ll be
pleasantly surprised as well. – Carlos
Sanchez
Brian
Blade, Fellowship, [Blue Note].
This 1998 Blue Note release has sparked me
to write something about Brian Blade albeit
14 years later. The thing that I love about
good music is that it’s simply timeless. I
can go back as far as the beginning of
recorded music and summon up the spirits of
artists; past and present. It’s ok that I’m
just discovering some of these musicians.
I know that one has to be true to one’s
self, and totally committed to one’s craft
in order to achieve the international
respect that an artist like Brian Blade
commands. Just listen to the opening track,
“Red River Revel,” from the Fellowship CD
and it’s easy to see why he has been such a
sought after drummer. – Carlos Sanchez
Chaka
Khan, Classikhan - Feat. The London
Symphony Orchestra, [Music World].
For those who know about Chaka Khan, she has
stirred quite a pot of musical flavors
during her more than 35 years as a singer
and writer. Her funk and R&B offerings are
legendary to say the least. As lead singer
for the group, Rufus, she garnered nothing
but respect from the musical community.
The Classikhan CD will leave you breathless
as Chaka embraces a more dynamic and
dramatic side of herself. She is backed by a
jazz combo that includes Joe Sample (piano)
and Sheila E (Percussion) as well as the
London Symphony Orchestra. I must say that
considering the selection of material on the
CD, which includes selections such as: “Hey
Big Spender,” “Best Is Yet To Come,” “Is
That All There Is,” “Round Midnight” and “To
Sir With Love.” What she does to
“Goldfinger” is simply phenomenal and helps
you to really appreciate her with the
Orchestra, as it adds stark intensity, depth
and dimension to every piece. Classikhan is
definitely a Classic beyond compare. –
Carlos Sanchez
Billy
Harper, Trying to Make Heaven My Home
[MPS Records] Recorded in Stuggart,
Germany in 1979, and released only on LP
this is BOTH a rare find and a rare musical
gem (you can digitally download it on
Amazon). This LP features the great Billy
Harper on tenor saxophone, Everett Hollins
on trumpet, Wayne Dockery on bass, Malcolm
Pinson on drums and Armen Donelian on piano.
Here's a tenor saxophonist who got my vote
years ago as the next best thing to John
Coltrane when it comes to style and
ferocity. The title song, Trying to Make
Heaven My Home, written and arranged Harper,
stretches over 18 minutes in length aided by
an intense 5-minute intro. This serves as
the perfect lead-in for Harper to express
his God-given creativity and funeral-styled
tempo. Of course, Billy Harper reaches
places very few tenors can. Like 'Trane,
he's got a rhythmic grace coupled with a
melodic style that sends this piece soaring.
On the other hand, Billy Harper is an enigma
wrapped in up in a riddle. He writes nearly
all of his music and is very highly
respected in that regard, yet when it comes
to recording, Harper appears more at ease as
a studio sideman these days (to date he's
released only 11 CDs since his first Capra
Black, back in 1973. Coltrane's output was
encyclopedic: In a single decade blessed us
with some of the most revered music in jazz
history). Harper's long awaited CD,
Blueprints of Jazz Vol II, hit the airwaves
back in 2009 - nearly ten years after his
last release - proved hugely disappointing.
Ironically, Harper's music is more valuable
among collectors because there are so few
available. Trying to Make Heaven My Home has
to be among the most valuable. - Clement
Perry
Stefon
Harris and Blackout, Urbanus. If
you too are a fan of the new and spirited
style of young jazz musicians, like
Christian Scott, Robert Glasper, Javon
Jackson and vocalist extraordinaire Gregory
Porter, just to name few, making their
way onto the big stage, then vibraphonist
Stefon Harris should also be on your
playlist. Urbanus, his sophomore project
with Blackout: the name of his hip stepping
bandmates which include Casey Benjamin on
alto and vocoder, Marc Carey on piano
(another stellar musician), Ben Williams on
drums and Terreon Gully on drums. What I so
like in Harris and Blackout is their funky,
syncopated and risky style that sometimes
borders closer to the Don Cherry school of
free jazz without crossing over entirely.
The Urbanus disc is seven tracks long of
musical satisfaction that provides
surprisingly fulfilling treats from the
first to the last track (which I find
increasingly harder to say these days). -
Clement Perry
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