2008 CES/T.H.E. Show

Up In the Tower

Well at this point I’ve spent nearly a day and a half in Vegas and have yet to spend much time in the Venetian tower rooms where most of the exhibits are. So my expectations were to be overwhelmed by an abundance of great looking and sounding systems. Was I disappointed? Read on.

     


World Hi-Fi Group (Escalante/Electrocompaniet): It was a reunion of sorts for me when I came upon the World Hi-Fi Group room which distributes the Escalante Design loudspeakers and electronics from Electrocompaniet. My reference system from a few years ago was comprised of the Talon Audio Peregrine X speakers which were designed Escalante’s Tierry Budge, and Electrocompaniet Nemo mono amps, EC4.7 preamp and EMC-1 CD player. This year, Escalante’s room featured Budge’s best speaker design to date, the Fremont ($20,990/pr), along with electronics from Electrocompaniet including the EMC-1UP CD player ($7,700), the new EC4.8 preamp ($5,800) and AW400 mono amps ($15,000/pr). The Fremonts were finished in a dazzling Indianapolis Red Metallic paint. This two-channel system rendered a holographic image of Kurt Elling and Al Jareau singing/scatting Dave Brubeck’s immortal Take Five.

As a bonus, I was able to hear and see this same performance in the room next door which featured the new Electrocompaniet EMP1 six-channel universal player ($11,000), EC4.9 six-channel preamp ($8,500), and a AW2x120-M dual mono amp ($7,400) and AW3x120-M triple mono amp ($9,400). The speakers in the multi-channel setup were the Escalante Pinyons ($10,900/pr) in front, Junipers ($7,990/pr) in the rear, Juniper center channel ($3,995/ea) and Uinta subwoofer ($7,990). Again, the sound was great but the visuals provided by the EMP1 took the enjoyment to another level.

Staying with the Escalante theme, there were a couple of neat source components that I saw for the first time. Charlie Harrison the U.S. distributor for Margules Audio and Ayon Audio showed off new products in a system anchored by the Fremonts. The Ayon CD-3 ($5,995) is a two-box top-loading tubed digital playback system sporting elegant looks and wonderful sonics. They also had on hand a new iPod based system from Margules that provided surprisingly good sound with the tubed electronics that were being used.

       

Avatar Acoustics: Darren Censullo’s room was one of the most dynamic I heard all week. The system featured Franck Tchang’s the drop-dead-gorgeous Acoustic Systems Tango loudspeakers. The Tangos feature a 1” silk dome tweeter, 5” midrange and three 8” woofers in a frequency range of 15 Hz to 25 KHz! They were being driven by the splendid Karan Acoustics KA M 1200 mono amps ($50,000/pr) and KA L Reference preamp ($15,500) and the system was fronted by the popular Abbingdon Music Research CD-77 CD player ($8,500). The system was wired with interconnects from a new company called Current Cable ($2,000/1m XLR). The power cords and speaker cables were Harmonix.

        

Half Note Audio: Daniel Barnum of high-end distributor Half Note Audio (a real life descendant of P.T. Barnum himself) is fast becoming one of the most fascinating people in the industry to me. While many U.S. distributors are looking for inexpensive products that can be sold to the masses, Daniel seeks products that frankly, only a small tribe of people might be interested in or can afford. The roster of manufacturers represented in his room at the Venetian reads more like a “Who’s Who” of European hi-fi, except for an Oracle CD player that was the source component of his main room, but even that was connected to the Slovenian-made Stylos SYS DAC ($15,000). Shown is the new and very attractive Tidal Contriva loudspeaker ($44,900 in African Mohogany) and the legendary German made ASR Emitter II Exclusive B integrated amp ($26,900) which features two separate power supplies and a battery power supply for the preamp section. He also used the Tiffany-like Argento Serenity Master Reference cables (speaker cable $11,875/1m, interconnect $7,500/1m) and Flow Master Reference power cords ($4,950/2m) from Denmark throughout and an Audiostone equipment rack made in Norway. The amp sat on a Critical Mass Systems Grand Master isolation stand ($2,365). If you don’t know these companies very well yet, start doing some homework because they make some of the best products available.

In addition to this setup, Daniel was also hosting private demonstrations of the new Pythagoras turntable designed by the creator of the brilliant Thales tonearm, Micha Huber. The Pythagoras integrates a turntable with a massive granite platter into an Audiostone stand made out Norwegian granite. The table comes equipped with the Thales tonearm in a package costing a dizzying $80,000! The table I heard was equipped with an EMT cartridge and was connected to an EMT preamp and Tidal Impact ($40,000) amplifier. The system played music through a pair Tidal Piano loudspeakers ($28,900/pr).
 

      

Perfect 8/BAL: Jay Bertrand of Bertrand Audio Imports may have been responsible for one of the most audacious demos of the entire show. His room featured the Perfect 8 Technologies “The Force” loudspeakers ($275,000!) and Bridge Audio Labs electronics. Now as easy as that was to say, it is ten times more difficult to describe. These speakers stand nearly seven feet tall, weigh more than 350 lbs each and are made of glass! They were partnered with two “The Force” subs each having its own external amplifier. These gargantuan speakers were being driven by the equally massive and gorgeously built Bridge Audio Labs BP-1 MKII amplifier ($70,000) and BC-1 MKII control amp ($55,000). The system was fronted by an Accustic Arts DAC-1 ($7,000) and Drive-1 ($6,500). You’ll have to do some investigating if you want to learn more about these products, but I’m sure you’ll find them to be as fascinating as I did. The really good news though, is that this system sounded absolutely spectacular! But did it sound $275,000 worth of spectacular? Unfortunately, I probably won’t get to hear it again until next year’s show. I’ll let you know after I’ve had a second listen. Sensory Power cables were used throughout.



King Sound: Getting back to more reasonable fare, I remembered editing Lew Lanese’s excellent review last year of the King electrostatic loudspeaker from King Sound. They seemed like one heck of a bargain for the price and the level of performance the Lew indicated they were capable of. He was right. But the value for the dollar didn’t stop at the King loudspeaker as I felt the same way after spending quite a bit of time listening to the King’s slightly smaller sibling, the Prince II ($4,000). Listening once again to my Erin Bode disc I was entranced by the wonderful imaging and soundstaging capabilities of this 'stat. At only $4K a pair, these speakers represent a golden opportunity to experience a type of musicality rarely afforded by dynamic designs. The Prince IIs were driven by the MBL 8011AM mono amps ($13,000/pr)


     

Coincident Technology: Israel Blume found a great way to get people into his Coincident Technology room: have an attractive and quite pleasant young lady greet you at the door. The young lady was a ravishing redhead named Eve Ren but let’s be honest, she wasn’t the only reason to stop in this room. Blume was demonstrating a Coincident Technology system featuring a pair of Pure Reference loudspeakers ($22,000/pr) being driven by his own Dragon 211PP and M300B Frankenstein mono amps. An Audio Aero CD player was the front end source.

 

      

Venture Audio: Venture Audio was another room that went the system route. They featured the gorgeous looking and sounding Reference III loudspeakers ($135,000/pr) being driven by their own V 100A+ mono amps ($67,500/pr), VP 100L linestage ($38,250), and VP 100P phono stage ($24,750). The system was fronted with an Immedia turntable.

 

       


Uniwave/Golden Sound: Whenever I go into a demo with Allan Chang of Golden Sound, I know that there will be something interesting to see and plenty of good sound. This year was no different. As part of the Uniwave room which featured the Chateau Reference Monitors, Anaco 2 amplifiers, Anaco 2 preamp, and a scary good (and cheap!) Oppo DV-980H universal disc player, Allan had his famous Golden Sound tweaks in full effect, DH cones and squares, heck he even claimed to employ small sacks of jelly beans on top of the speakers and small trays of water with tiny flowers in them as part of their set up. But the tweak that really blew me away was the new “CD Energizer.” The Energizer looks like a 3” round by ˝” thick black plastic disc with a black cone sticking up from it and a clear plastic cone stick out from it. While not getting into the science of what it does, he proceeded to take my favorite and well worn Erin Bode disc Over and Over, and placed it on the Energizer and pressed a button which flashed a light through my disc and voila! Suddenly my disc was cleaner sounding with noticeably more transparency and detail. I still don’t know what this thing does but it works. Unfortunately, Allan says the effects of the energizer don’t last.

 

Dave's Top Ten

I must have visited more than one hundred rooms during the week and I know I still missed getting to many more. In fact, I ended my coverage of the high-end exhibits early on the last day so that I would still have a little time to check out some of the exhibits over at the Las Vegas Convention Center (a.k.a. The Zoo). There I saw things like the world’s largest plasma HDTV (150”) by Panasonic, a Giorgio Armani cell phone, and more video games than I could stand. I saw enough to know that I’d rather stay with the audio gear.

But out of all the exhibits I saw I managed to come up with a list of the Ten Best Rooms at the Shows. I like each of these rooms for a variety of reasons. All offered great sound but some were chosen because they represented great values while some were selected due to there sheer beauty and combination of strengths. So here they are in alphabetical order:

• April Music: Aura Note and Aura Speaker
• Audio Design & Marketing: Berning, TW-Acustic, German Physiks, Exemplar
• Avatar Acoustics: Abbingdon Research, Karan Acoustics, Acoustic Systems
• Bertrand Audio Imports: Perfect 8/Bridge Audio Labs
• Half Note Audio: ASR, Tidal, Stylos, Audiostone, Pythagoras, Argento, Critical Mass,
• King Sound Oracle
• MBL
• NAT Distribution: Raysonic, JAS Audio
• Signals Super-Fi: Vitus Audio, German Physiks, Continuum, Stereovox
• World Hi-Fi Group: Escalante, Electrocompaniet


Well that’s it for me folks. It was a great time to see some exciting new products and get excited about the future of our hobby and passion. See you next year!




        

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Villetri

 

 

 

Star Sound